Out after dark. On a school night. I
can remember it like yesterday.
It was pitch black. Music was playing
somewhere off in the distance, a tinny, eerie sound that added to the
suspense.
A vacant building – maybe an old
school or a warehouse – would be decorated for the season with a
few boxes of garbage bags, a load of dry ice, and a few splashes of
theatrical lighting. Not to mention spaghetti. Guts and gore required
lots and lots of spaghetti.
A new haunted house would open its
doors each October, usually a community-effort that sought to raise
money for a cause. It didn't matter that they were always the same.
I'd be there. As a teenager I couldn't wait to be scared.
Back then I never thought about the
lengths to which folks had gone to get the desired effect.
I never fully appreciated the work it
must have taken to transform some ordinary place into a maze of
horror. Or how many people had actually dressed up to scare the
bejeezus out of throngs of halloween guests. I'd never actually
counted the number of psychopaths or the variety of undead looming in
the shadows or hulking around in the glare of strobe lights. I just
held my breath and waited for something to reach out and grab me.
I certainly never recognized any of
these actors … though it wouldn't be a stretch to think one of the
ghosts might have been my gym teacher or that one of the maniacal
medical practitioners might have been a school nurse.
I just remember how intricate they
always seemed.
Perhaps the years have colored my
recollection of these low-budget efforts.
Or perhaps inertia has.
All. That. Work. Wrapping walls in
plastic. Making costumes. Hanging spiders and webs. Cutting a hole in
an old card table so that Mr. Smith from the bus garage could be a
head on a platter. I can't hardly imagine being the person who had to
paint all those cardboard tombstones or figure out the best way to
color spaghetti intestines so they wouldn't stain … should you
accidentally throw them at a tourist. You know … by mistake.
Sure, it might sound like fun when a
person puts it that way, but I think the older one gets the more
precipitously the ratio between effort and fright diminishes (which
is why they make people my age sign waivers).
Ordinary things scare me now: doctors'
appointments; car repairs; going to the mailbox; waiting in line at
the grocery store behind someone who says, “I vant to write a
cheque.”
Seriously, I get a noticeable
blood-pressure boost from remembering that I forgot my reusable tote
bags as soon as I take the keys out of the ignition in the
supermarket parking lot.
And the mere thought my kids will be
asking for the car keys someday is enough to elicit a blood-curdling
scream.
Which is why I'd like to propose a
lower budget, low-budget house of horrors.
One that doesn't need costumes or
props. It doesn't even need a venue, it could happen spontaneously
anywhere.
All we'd need to do is have the
narrator of our minds make announcements through the loudspeaker that
is our mouths while trying to channel the voice of Vincent Price or
the Wicked Witch of the West:
8 a.m. “Hoooooo ooooh … I think
you missssssssssssssssed the busssssssssssssss.”
10 a.m.: “Attention: Gross-A-Rama
customers … A repugnant shopper in Checkout Lane 9 will contaminate
the environment with a raft of plastic bags and her lack of
forethought. But in her negligence she's actually saved her family
from certain death or at least a very real potential for gastric
distress. The bags she forgot haven't been laundered and are teaming
with chicken poisons.”
5:
p.m.: “Whatsssss for dinner? Leffffffffffftovah
Spaghhhhhetttiiiiiiiiii!”
Of course the worst
part of such ordinary horror is realizing you'd even be afraid of
your teenage self:
“Honestly, what IS she doing out
so late on a school night?”