The clicker isn't working.
I rattle it against my hand. Twice. Then I try again.
This time it turns the television on, but it won't change channels or lower the volume.
The batteries are probably losing their juice. It's been a few minutes since the loud, announcer voice started repeating the intro to a broadcast I don't want to see. It might be a show or a movie or a swatch of the news. It doesn't matter.
I could probably get used to the narration repeating if I focus on closing my ears. It occurs to me that I don't have the stamina right now to process new things.
And I don't want to get up.
I am comfortable under a blanket on the couch: a putty-colored throw that is filled with down but otherwise nondescript. It is more subdued than the one made of t-shirts that my husband prefers, or the green woolen Mexican blanket that is older than our marriage. The longer it stays, the harder it is to jettison.
My blanket is different, though. It is timeless. It blends in so well it seems invisible. It has no weight. It has no color. And I have no recollection of its purchase. It just appeared one day when I was cleaning out a closet.
The moment I saw it I had an urge to hold it to my face. Rubbing it against my cheek. It felt uncommonly soft and smelled of cedar. It came as a surprise when it spoke to me.
I felt like I'd just met an old friend. A friend I do not wish to offend.
Like I did my old hand mixer - the one I bought at a hardware shop one Thanksgiving eve when I was in my early 20s.
It was in my first apartment, hosting my first holiday dinner but it had never been my job to make the mashed potatoes. Now it was. In addition to the delicate-fleshed yellow gold spuds, I selected the Easy Mix Proctor-Silex hand mixer with five speeds. $11.99 plus tax.
I didn’t think about the purchase, I just stopped by the hardware store after I’d packed the car with groceries and carried the only electric-mixing product they had on display to the register.
It worked well enough, even though I had to apply a certain directional pressure I alone understood, to keep the top speed humming. And it continued to work well enough for the next thirty years as other machines started taking up residence, such as a stand mixer; an immersion blender; and even a classic, low-tech, potato mashing tool, which also came to live in our kitchen.
Though … I must admit, the allure of seasonal displays of perfect pyramids of kitchen gadgets over the years had tempted me to replace the working-well-enough mixer with one that might work more perfectly than well enough.
Wouldn’t it be nice, I thought, to have a pretty mixer that came with a storage compartment? One that would work at all speeds without hesitation? One that I had thought about for more than a moment and that would fulfill some understanding I have about my life?
YES! I admitted. “Yes! Thirty years is a good long time,” I reasoned. “It may even be wise to replace such an elderly appliance. Who knows how much moldering cake batter is kerning around inside the works.”
So I marched into the hardware store and bought the prettiest, most elegantly designed mixer they had – a six-speed beauty with a snap-on case. $37.99 plus tax.
And when I got it home and fired it up … it worked well enough.
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